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ROIO of the Week [Recordings
of Indeterminate Origin]
This Is The Modern World
While Elvis was driving trucks in Memphis, other ambitious
individuals were thinking of a greater society. Italian Composer
Luigi Nono joined the Communist Party in 1952, a year ahead of Elvis'
fateful date at Sun Records. Both wanted a revolution in sound.
Click on the panels for a better view or to download artwork
Luigi Nono
A Retrospective [no label, 2CD]
Live at Queen Elizabeth Hall, London, April 27, 2005. Broadcast
on Radio 3 on April 28.
Communism used to be a dirty word in $heep City, $ingapore.
You could be arrested under the city-state's draconian law of
detention without trial if anyone labelled you a Marxist. That was
just 30 years ago. Look around you today, every other Chinese in
$heep City is a Communist from mainland China. The Marxists are
everywhere.
Back when it wasn't hip to be a Marxist, Luigi Nono emerged from
the post-war years together with contemporaries Pierre Boulez
and Karlheinz Stockhausen to form a new
wave of modern composers. Nono distinguished himself with his forward
thinking and sincerity towards the left's goal - to take back power
from the few to return it to the people.
His compositions were not static but dramatic, part music, part
performance art and part electronica before it was even known by that
name. Nono used modern electronics - recorded music to be played
during a live performance. His cut and paste technique using famous
speeches and everyday sounds is now standard for indie bands.
Godspeed You! Black Emperor built their reputation creating such
soundscapes.
Nono was to free himself from the concert halls by composing music
that could be played in smaller rooms using modern audio equipment.
Large set-pieces, dramatic speeches could be taped first and then
played back later together with the live performers.
He passed away in 1990 at the age of 66. In 2005, the BBC
broadcast a retrospective of his works. This excellent live recording
offers newcomers an excellent primer of Luigi Nono's works from the
beginning to the end.
Two pieces here show Nono's political leaning. The powerful "La
Fabbrica Illuminata" (1964) is set in a factory. When a worker is
injured, work at the assembly line stops. But management is more
interested in productivity than the individual's plight. Sound
effects, a chorus and other sonic props are used to great effect.
As Anne Ozorio reports, "La Fabbrica live is like theatre in the
round, disembodied voices, mumbled speech, industrial sounds come
from all over the auditorium. Nuria Nono [wife] said that Nono had
been fascinated by the sounds of great furnaces in steelworks and the
like. As in real life, sounds which come from everywhere aren't clear
- the synthesis stimulates.
"(Claron) McFadden singing in dialogue with the recorded sounds was
enthralling, a single human being interacting with a barrage from
beyond. It was exquisitely painful and empowering at the same time.
Nono's tapes were operated by an extraordinarily sensitive soundman,
who could make the inanimate sound organic. Sounds Intermedia played
the tapes like they were instruments, but McFadden was like an
elemental force of Nature. Despite her grounding in the baroque, her
feel for new music is profound."
The next piece Sofferte Onde Serene... [serene waves suffered], is
a work for solo piano. This is dedicated to a fallen comrade, Chilean
Luciano Cruz, an opponent of General Pinochet. Cruz was a
revolutionary who died in 1971, two years before the coup which led
to the death of Marxist president Salvador Allende and the
installation of Pinochet. Nono implores the dead Cruz to "keep on
glowing, young as the revolution in every one of your peoples'
struggles." What we have here is an excerpt featuring the dramatic
piano solo.
Nono's leftist views made him a target. At one point, he was
banned from entering the U.S. like our modern day Cat Stevens. Nono's
views did not win him the approval of concert promoters as classical
works were meant for society's elites. Radio was to be a blessing for
Nono as he could reach a wider audience with this medium.
For Nono, music was meant to challenge society to see a better
world. You can now listen safely to Nono in $heep City, $ingapore,
where Communist China is no longer a Red Menace but a friendly panda
bear. An excellent BBC Radio 3 broadcast that was shared by
Tantris88. Thank you.
- Professor Red 
Click here: For feedback and comments.
Click
on the highlighted tracks to download the MP3s (these are high quality
stereo MP3s - sample rate of 192 kibit/s). As far as we can ascertain,
this recording has never been officially released.
These tracks are no longer available for download. Kindly email us at mybigo@bigozine.com if you want
to download these tracks at a later time.
| |
Disc I |
| Track
101 |
Introduction (1.30) (2.0MB) |
| Track
102 |
Polifonica-Monodia-Ritmica (London Sinfonietta, cond Oliver
Knussen) (18.11)
part a (15.9MB)
part b (9.0MB) |
| Track
103 |
Comment (2.22) (3.2MB) |
| Track
104 |
Canti per 13 (London Sinfonietta, cond. Oliver Knussen) (9.40) (13.2MB) |
| Track
105 |
Comment (2.42) (4.4MB) |
| Track
106 |
"Ha Venido" (Claron McFadden, BBC Singers, cond. Stephen
Betteridge) (6.27) (8.8MB) |
| Track
107 |
Comment (0.27) (642k) |
| Track
108 |
Canciones a Guiomar (BBC Singers, London Sinfonietta, cond.
Oliver Knussen) (8.23) (11.5MB) |
| Track
109 |
Interview by Tom Service with Nuria Schoenberg-Nono (Luigi
Nono's wife) (10.10) (13.9MB) |
| Track
110 |
La Fabbrica Illuminata (Claron McFadden, Sound Intermedia) (16.38)
part a (9.4MB)
part b (13.3MB) |
| |
Disc II |
| Track
201 |
Comment (2.56) (4.0MB) |
| Track
202 |
...Sofferte Onde Serene... [serene waves suffered] (Sarah
Nicolls, piano) (13.51)
part a (10.6MB)
part b (8.3MB) |
| Track
203 |
Comment (3.15) (4.4MB) |
| Track
204 |
Con Luigi Dallapiccola (London Sinfonietta, cond. Oliver
Knussen) (16.14)
part a (10.4MB)
part b (11.8MB) |
| Track
205 |
A Pierre. Dell'azzurro Silenzio, Inquietum (Sebastian Bell
(contrabass flute), Andrew Webster (contrabass clarinet), Sound
Intermedia) (10.42) (14.7MB) |
| Track
206 |
Outro (1.16) (1.7MB) |
Lineup:
Claron McFadden (soprano)
Sarah Nicolls (piano)
Sebastian Bell (contrabass flute)
Andrew Webster (contrabass clarinet)
Sound Intermedia (electronics, tape)
London Sinfonietta with Oliver Knussen (conductor)
BBC Singers with Stephen Betteridge (conductor)

Here's a recent release of Nono's works by Stefania Woytowicz, Luigi Nono: Complete Works For Solo Tape. You can buy it here.

If you want a taste of Nono's politically charged compositions,
Deutsch Grammaphone offered this 1988 recording, Luigi Nono: Como
una ola de fuerza y luz, for Soprano, Piano, Orchestra & Magnetic
Tape (1971-72) / ...sofferte onde serene... For Piano & Magnetic
Tape (1976) / Contrapunto dialettico alla mente, for Magnetic Tape
(1968) - Maurizio Pollini / Claudio Abbado. This is Nono's
composition to a fallen comrade, Chilean Luciano Cruz, an opponent of
General Pinochet. A portion of this work is on this free MP3 download
on CD2 track 1. You can buy it here.


For more... email mybigo@bigozine.com
with the message, "Put me on your mailing list."
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May
23, 2008
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