Former Dead Kennedys vocalist Jello Biafra has torn into the RIAA, likening them to the mafia, threatening to leave a horse's head in the beds of old women and children alike, while destroying the education of student file-sharers. Don't even get him started on the media: "Goebbels would be proud," he said. Written by enigmax at TorrentFreak.com.

 

Born Eric Reed Boucher in 1958, Jello Biafra is no stranger to controversy. He first became well known as songwriter and lead vocalist with the band Dead Kennedys. The band split in 1986 but 1998 saw the start of a six-year battle over the royalties to the band's music. No doubt this was a miserable experience, so maybe Biafra's outburst this week was to be expected.

In a translated interview with Norway's Aftenposten entitled "Goebbels Would Be Proud", Biafra tells us a little bit about how he feels about the RIAA, big record labels and even the media. He isn't pulling any punches either.

"I have two different opinions on file-sharing," says Biafra, drawing a metaphorical line in the sand - with good (small labels) on one side, and bad (big labels) on the other.

"You may take from the big labels," he orders, "because the only thing they do is steal from both the artists and the audience." Not many would disagree with you there, Jello.

The 'good' side are the small guys, explains Biafra to potential file-sharers: "Don't take from the smaller, independent labels. Then fantastic bands would have to surrender way too early, because they can't afford it," he says, while completely forgetting that popularity fills concerts and downloads are a good way to achieve that these days. According to MAMA Group who manage the Kaiser Chiefs and Franz Ferdinand, future profit is there to be unlocked - and it lies in the live concert. Popularity through free downloads could be the key to these, time will tell.

(The RIAA) are doing this to 12-year-old girls, they are doing it to 80-year-old women, and they do it to students. There are plenty of examples that show people having to quit school because they had to give all their money to the recording industry instead.

"Support the independent labels, but the big ones - fuck 'em. Anyways, I haven't found anything in many years which come from a large label worth buying," says Biafra, as he tosses aside his attacks on singular big labels and gets his teeth into the collective might of the RIAA:

"The RIAA reminds me most of the Godfather," Biafra says, tipping his head to the side and changing his voice to Marlon Brando mode:

"We will sue you. If you want out of this without going to court, we can make an arrangement: Give us US$5,000. If not, you will find a horse's head in your bed."

Suddenly he is back to being Jello Biafra again, and talks about why RIAA action against file-sharers is wrong: "They are doing this to 12-year-old girls, they are doing it to 80-year-old women, and they do it to students. There are plenty of examples that show people having to quit school because they had to give all their money to the recording industry instead," he says gravely.

Biafra then explains that he doesn't do any downloading himself as he doesn't have a computer before launching himself at the media: "It's so dumb, that even the American edition of CNN is just a bunch of right-twisted parrots babbling about the primary elections, letting the war in Iraq pass in silence. Then it is up to the artists to fill the void."

Then, in a final show of support for the small guy, Biafra concludes: "When smaller performers express their political views they are gagged. But when Mel Gibson or Arnold Schwarzenegger does it, then it's okay. Because they fit better into the media profile."

"Goebbels would be proud."

For those who haven't seen it yet, here's a RIAA training video that may give some insight into the organization.

Many thanks to Håvard.

Related articles:
CD Liner Notes Of The Distant Present
The Pirate's Dilemma
When Pigs Fly, by Rob
Demonoid Aftermath: An Open Letter To The CRIA
Die, Greedy Swine! Die! Die!, by Little Steven Van Zandt



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February 29, 2008
 

RIAA Keeps Money, Artists May Sue

When EMI, Universal Music and Warner music reached settlement agreements with the likes of Napster, KaZaA and Bolt, they collected hundreds of millions of dollars in compensation - money that was supposed to go to artists whose rights had been allegedly infringed upon when the networks were operating with unlicensed music.

Now, according to a New York Post article (Feb 27, 2008), the managers of some major artists are getting very impatient, as it appears the very people who were supposed to be compensated - the artists - haven't received anything from the massive settlements. They say the cash - estimated to be as much as US$400m - hasn't filtered through to their clients and understandably they're getting very impatient.

Lawyer John Branca, who has represented the likes of The Rolling Stones and Korn, said: "Artist managers and lawyers have been wondering for months when their artists will see money from the copyright settlements and how it will be accounted for."

Indicating the levels of impatience with the big labels holding the money he added: "Some of them are even talking about filing lawsuits if they don't get paid soon."

Of course, EMI, Universal and Warner have a different take on the delay, with sources suggesting that it's down to the difficulties in deciding who gets what money, based on the levels of copyright infringement for each individual group or artist.

A recording industry on the back foot having spent most of its time fighting the digital revolution rather than becoming part of it, is clearly trying to hang on to every penny, even when it comes to compensating the artists who they claim they were defending by taking legal action in the first place.

Irving Azoff, who manages Christina Aguilera, The Eagles, Van Halen, REO Speedwagon and Seal (amongst others) says it's hard for artists to get what they deserve from the labels: "They will play hide and seek, but eventually will be forced to pay something," he said. "The record companies have even tried to credit unrecouped accounts. It's never easy for an artist to get paid their fair share."

Typically, the labels see it a different way. An EMI spokeperson said that it was "sharing proceeds from the Napster and Kazaa settlements with artists and writers whose work was infringed upon" while Warner's said the label is "sharing the Napster settlement with its recording artists and songwriters, and at this stage nearly all settlement monies have been disbursed."

The Universal spokesman spoke only of the label's 'policy' of sharing "its portion of various settlements with its artists, regardless of whether their contracts require it" with no mention of whether it had actually done this or not.

But typically, when money is involved, things start to get murky. The same sources who suggested the reasons for the delay in making payments are also suggesting that there might not be much money to even give to the artists.

It's being claimed that after legal bills were subtracted from the hundreds of millions in settlements, there wasn't much left over to hand out. - enigmax at TorrentFreak.com